<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Mandragora</provider_name><provider_url>https://www.mandragora.it/en/</provider_url><author_name>redazione Mandragora</author_name><author_url>https://www.mandragora.it/en/author/mandragora/</author_url><title>Antologia Vieusseux 85 - Mandragora</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="YRWd2XvF3K"&gt;&lt;a href="https://www.mandragora.it/en/prodotto/antologia-vieusseux-85/"&gt;Antologia Vieusseux 85&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.mandragora.it/en/prodotto/antologia-vieusseux-85/embed/#?secret=YRWd2XvF3K" width="600" height="338" title="&#x201C;Antologia Vieusseux 85&#x201D; &#x2014; Mandragora" data-secret="YRWd2XvF3K" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://www.mandragora.it/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><thumbnail_url>https://www.mandragora.it/wp-content/uploads/Ant-Vieusseux-85.jpg</thumbnail_url><thumbnail_width>791</thumbnail_width><thumbnail_height>1024</thumbnail_height><description>Editoriale Gloria Manghetti Uscire dall&#x2019;ombra: il pittore fiorentino &#xC9;mile Vieusseux attivo a Parigi nell&#x2019;&#xAB;atelier Nadar&#xBB; Piero Boccardo La camera d&#x2019;Edmondo Giorgio Villani Dall&#x2019;Inventario al Giardino. Gli etruschi di Calamandrei e di Bassani Francesco Bausi Gadda, Ensor e &#xAB;tutti i pittori di Firenze&#xBB; Giuseppe Nicoletti Gadda e &#x201C;La passeggiata autunnale&#x201D;: letture critiche nella Baracca 15c a cura di Paola Italia, con una nota di Sandra Bonsanti  DALLA SALA FERRI Giovanni Pascoli Marco Antonio Bazzocchi NOTE DI LETTURA Andrea Muzzi (Arte) Andrea Giuntini (Economia) Katia Rossi (Filosofia) Paola Italia (Letteratura Italiana) Ernestina Pellegrini (Letterature Comparate) Eleonora Negri (Musica) Emanuele Sorace (Scienze) Roberto Bianchi (Storia)  Digital version available on  http://digital.casalini.it/5533372</description></oembed>
