{"version":"1.0","provider_name":"Mandragora","provider_url":"https:\/\/www.mandragora.it\/en\/","author_name":"redazione Mandragora","author_url":"https:\/\/www.mandragora.it\/en\/author\/mandragora\/","title":"The First Caravaggio - Mandragora","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ozF5hMic9X\"><a href=\"https:\/\/www.mandragora.it\/en\/prodotto\/the-first-caravaggio\/\">The First Caravaggio<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.mandragora.it\/en\/prodotto\/the-first-caravaggio\/embed\/#?secret=ozF5hMic9X\" width=\"600\" height=\"338\" title=\"&#8220;The First Caravaggio&#8221; &#8212; Mandragora\" data-secret=\"ozF5hMic9X\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.mandragora.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.mandragora.it\/wp-content\/uploads\/Il_primo_Caravaggio.jpg","thumbnail_width":740,"thumbnail_height":841,"description":"by Gianni Papi  It is said that among the paintings Caravaggio produced in his early years to support himself, there was one depicting a young man peeling a piece of fruit. The Boy Peeling Fruit presented here is now recognized as the earliest and most authentic version of the celebrated Caravaggesque subject, predating all other known variants. It may have been painted while the artist was still in Lombardy, before his arrival in Rome, thus representing the oldest known surviving work by the painter.  Gianni Papi\u2019s attribution is based on the quality of the painting: the shirt, the young man\u2019s absorbed expression, and the still life reveal a fresh yet already distinctive hand. The \u2018autumnal\u2019 light and the more archaic appearance of the fruit point to a connection with the Lombard pictorial milieu. A decisive discovery comes from the X-ray: beneath the figure of the boy, the presence of a dog emerges \u2013 evidence of an initial compositional idea later abandoned. The shadows on the shirt, repeated in all subsequent versions, stem precisely from the reuse of this earlier underlayer.  The history of the work is complex: having passed through English collections between the 18th and 20th centuries, it now emerges \u2013 thanks to technical and stylistic analysis \u2013 as the prototype from which all other versions derive, a precious witness to Caravaggio\u2019s first steps toward the naturalism that would change the history of art.  The appendix includes the technical analyses and restoration reports that contributed to achieving this important attribution."}