{"id":2126,"date":"2013-10-23T12:33:59","date_gmt":"2013-10-23T10:33:59","guid":{"rendered":"https:\/\/www.mandragora.it\/prodotto\/the-springtime-of-the-renaissance-sculpture-and-the-arts-in-florence-1400-60\/"},"modified":"2023-10-18T16:56:25","modified_gmt":"2023-10-18T14:56:25","slug":"the-springtime-of-the-renaissance-sculpture-and-the-arts-in-florence-1400-60","status":"publish","type":"product","link":"https:\/\/www.mandragora.it\/en\/prodotto\/the-springtime-of-the-renaissance-sculpture-and-the-arts-in-florence-1400-60\/","title":{"rendered":"The Springtime of the Renaissance
Sculpture and the Arts in Florence 1400\u201360"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

edited by Marc Bormand and Beatrice Paolozzi Strozzi<\/p>\n

Exhibition catalogue: Florence, Palazzo Strozzi, 23 March-18\u00a0August 2013
\nOrganised by\u00a0Fondazione Palazzo Strozzi\u00a0and Mus\u00e9e du Louvre<\/p>\n

The catalogue proposes to illustrate, in theme-based sections, the origin of what is still known today as the \u201cmiracle\u201d of the Renaissance in Florence, doing so principally through masterpieces of sculpture, the branch of figurative art in which that new season first saw the light of day. The first section is devoted to the rediscovery of the ancient world during the \u201crebirth\u201d that occurred between the 13th and 14th centuries \u2013 from Nicola Pisano to Arnolfo di Cambio and their\u00a0 successors \u2013 especially of French origin. The two panels depicting the Sacrifice of Isaac by Lorenzo Ghiberti and Filippo Brunelleschi and the model of Brunelleschi\u2019s Dome of Florence Cathedral represent the fundamental starting point of the Early Renaissance. Monumental public sculpture by Donatello and Ghiberti, is the first and loftiest testimony of innovation. From the 1420s on, the new standards of sculpture perfected\u00a0by the great masters and illustrated by a number of masterpieces. At the same time, the most prestigious artistic commissions in Florence began to focus on venues of solidarity and of prayer. Thus, arranged around the city\u2019s absolute symbol \u2013 the wooden model of Brunelleschi\u2019s Cupola for Santa Maria del Fiore \u2013 the exhibition offers a retrospective of sculpture that was also to have a crucial impact on the development of the other figurative arts, in a direct debate with its classical predecessors, from the tombs of the Humanists, to the rebirth of the equestrian monument and\u00a0the carved portrait. The carved portrait, which started to become popular towards the middle of the century \u2013 in the marble busts of Mino da Fiesole, Desiderio da Settignano and Antonio Rossellino \u2013 heralds the transition from fiorentina libertas to the private patronage that was soon to lead to the hegemony of the Medici family. In this context, the exhibition \u2013 wich opened whith the evocation of Brunelleschi\u2019s dome \u2013 closes with the evocation of the most illustrious private residence of the Renaissance in the shape of a Wooden Model of Palazzo Strozzi.<\/p>\n

Digital version available on<\/strong> \"\"
\nhttp:\/\/digital.casalini.it\/9788874616657<\/a><\/p>\n","protected":false},"featured_media":2123,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[99],"product_tag":[1529,1604,1301],"class_list":["post-2126","product","type-product","status-publish","has-post-thumbnail","product_cat-catalogues","product_tag-palazzo-strozzi-en","product_tag-renaissance","product_tag-sculpture","first","instock","shipping-taxable","purchasable","product-type-variable"],"acf":[],"yoast_head":"\nThe Springtime of the RenaissanceSculpture and the Arts in Florence 1400\u201360 - Mandragora<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mandragora.it\/en\/prodotto\/the-springtime-of-the-renaissance-sculpture-and-the-arts-in-florence-1400-60\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Springtime of the RenaissanceSculpture and the Arts in Florence 1400\u201360 - Mandragora\" \/>\n<meta property=\"og:description\" content=\"edited by Marc Bormand and Beatrice Paolozzi Strozzi Exhibition catalogue: Florence, Palazzo Strozzi, 23 March-18\u00a0August 2013 Organised by\u00a0Fondazione Palazzo Strozzi\u00a0and Mus\u00e9e du Louvre The catalogue proposes to illustrate, in theme-based sections, the origin of what is still known today as the \u201cmiracle\u201d of the Renaissance in Florence, doing so principally through masterpieces of sculpture, the branch of figurative art in which that new season first saw the light of day. 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In this context, the exhibition \u2013 wich opened whith the evocation of Brunelleschi\u2019s dome \u2013 closes with the evocation of the most illustrious private residence of the Renaissance in the shape of a Wooden Model of Palazzo Strozzi. 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