{"id":4168,"date":"2018-12-04T13:05:06","date_gmt":"2018-12-04T12:05:06","guid":{"rendered":"https:\/\/www.mandragora.it\/prodotto\/san-salvatore-in-ognissanti-la-chiesa-e-il-convento\/"},"modified":"2023-03-13T12:08:42","modified_gmt":"2023-03-13T11:08:42","slug":"san-salvatore-in-ognissanti-la-chiesa-e-il-convento","status":"publish","type":"product","link":"https:\/\/www.mandragora.it\/en\/prodotto\/san-salvatore-in-ognissanti-la-chiesa-e-il-convento\/","title":{"rendered":"San Salvatore in Ognissanti.
La chiesa e il convento"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

The volume San Salvatore in Ognissanti. La chiesa e il convento<\/em> retraces the history of a church where the lives and talents of artists such as Giotto, Ghirlandaio, Botticelli, Ligozzi, Vincenzo and Pietro Dandini, Ranieri del Pace, Vincenzo Meucci and Anton Domenico Ferretti crossed. The church of Ognissanti has been the protagonist of a complex and articulate story, that just today we\u2019re trying to let be known seriously and from the beginning; we could say that this book represents the first accurate study of the topic, the first intellectual courage to face one of the most important passages of the history of art. To make this possible is an orchestra<\/em> of some of the most talented historians of art of the moment (such as Sonia Chiodo, Silvestra Bietoletti, Nadia Bastogi, Nicoletta Pons), gathered in the same harmony of intentions and voices thanks to Riccardo Spinelli, curator of the volume. What\u2019s more, to support this experience of research stays a series of beautiful accompanying images, the result of a hefty photographic campaign that took place last summer.<\/p>\n

Digital version available on<\/strong> \"\"
\nhttp:\/\/digital.casalini.it\/9788874616398<\/a><\/p>\n","protected":false},"featured_media":4160,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[101],"product_tag":[],"class_list":["post-4168","product","type-product","status-publish","has-post-thumbnail","product_cat-monographs","first","instock","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nSan Salvatore in Ognissanti. La chiesa e il convento - Mandragora<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mandragora.it\/en\/prodotto\/san-salvatore-in-ognissanti-la-chiesa-e-il-convento\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"San Salvatore in Ognissanti. La chiesa e il convento - Mandragora\" \/>\n<meta property=\"og:description\" content=\"The volume San Salvatore in Ognissanti. La chiesa e il convento retraces the history of a church where the lives and talents of artists such as Giotto, Ghirlandaio, Botticelli, Ligozzi, Vincenzo and Pietro Dandini, Ranieri del Pace, Vincenzo Meucci and Anton Domenico Ferretti crossed. The church of Ognissanti has been the protagonist of a complex and articulate story, that just today we\u2019re trying to let be known seriously and from the beginning; we could say that this book represents the first accurate study of the topic, the first intellectual courage to face one of the most important passages of the history of art. To make this possible is an orchestra of some of the most talented historians of art of the moment (such as Sonia Chiodo, Silvestra Bietoletti, Nadia Bastogi, Nicoletta Pons), gathered in the same harmony of intentions and voices thanks to Riccardo Spinelli, curator of the volume. What\u2019s more, to support this experience of research stays a series of beautiful accompanying images, the result of a hefty photographic campaign that took place last summer. 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